Micro-Cinema is part of an ongoing research project that reconsiders the spirit of certain early twentieth-century artistic movements. The work draws inspiration from the anarchic sensibility of Elsa von Freytag-Loringhoven, whose radical micro-poetry and sculptural gestures challenged conventional artistic form, as well as from the enigmatic, pre-surrealist metaphysical imagery of Giorgio de Chirico.

Within this framework, the project experiments with extremely condensed cinematic narratives. Each piece combines fragments of poetry, short story structures, image, and sound into a brief audiovisual form. Rather than conventional storytelling, the works aim to evoke fleeting moods, symbolic situations, or philosophical paradoxes.

The format of micro-cinema treats film as a concentrated poetic medium. By compressing narrative, atmosphere, and visual composition into minimal duration, these works seek to produce a moment of reflection where language, image, and sound briefly converge before dissolving again into ambiguity.