The Show Has Lost Its Magic (2025)

Two part computer generated animation with soundtrack, loop, duration 1:00 minute, synthesizer soundtrack, 2024

Inspired by the hypnotizing and monotonous lockstep walk of workers in Fritz Lang's 1927 film Metropolis. In the film, long columns of laborers move through vast industrial corridors with mechanical precision, their bodies synchronized into a slow, ritualized procession that resembles the motion of a single organism rather than that of many individuals. Heads lowered and shoulders heavy, the workers advance in rigid cadence, their footsteps merging into a steady, almost metronomic rhythm. The choreography of this movement—deliberately repetitive and stripped of personal variation—transforms human motion into something closer to machinery, where the collective body appears programmed by the tempo of the factory itself. By isolating and extending the gesture of the workers’ march, the work reflects on the persistence of industrial logic within contemporary technological systems. What once belonged to the architecture of the factory floor now reappears in new forms—algorithmic schedules, automated processes, and digital infrastructures that quietly regulate the pace of everyday life.

Hmota

Computer generated animation derived from an original 2013 print design titled “Hmota”, duration 1:46 minutes, synthesizer soundtrack, 2024

Weaving Collective Narratives
BRIC TV Brooklyn Free Speech
NYC, United States

Premiered: October 7th at 10 PM.
Replayed every Friday at 10 AM & 10 PM and Sundays at 9 PM throughout the month.


"Hmota" is a Czech word for "matter" and it so happens to include both a letter "h" and the word "atom" alluding to the most destructive devices conjured by humans. "Hmota" here is represented as a concept that includes both a fundamental essence and components to its own disintegration.

In Search of Ground

Zihao Chen & Tomáš Penc - In Search of Ground - recycled books, papers, watercolor and acrylic on canvas, cg animation & interactive web art with sound, 99 x 33 inches, duration 1:38 minutes, 2024

Experimental collaborative work with @ziho_chen.

Window at A Space
A Space
13 Grattan St
NYC, United States

May 1 - 15 | 2024


Scan the QR code or open this link and explore the landscape.

Zihao Chen’s abstract paintings encoded with topologies of a fictitious faraway land of the "happening" provide terrain and stage for Tomas Penc’s sculptural and spatial play of objects, sounds and situations, ultimately bringing together traditional painting and sculpture with installation into experimental interactive landscape and space of web and electronic arts.

Special thanks to the curators @cas_idy & @fkialmostforgot, and the @aspace____ gallery for including our piece along other amazing work in "A Window at A Space" exhibition.

Digital Waste Disposal Site

Computer generated composite animation, sound, loop, duration 2:20 minutes, interactive internet art 1&2, 2018/2024

Connect
Czong Institute for Contemporary Art (CICA)
South Korea

May 22 – June 16 | 2024


Connect 2024 is an interactive exhibition incorporating QR codes along with artworks in various media including photography, 2D digital art, video art, interactive art, drawings, paintings, sculptures, and installation art.

The show is organized to promote communication between featured artists and viewers and enrich our understanding of contemporary art and diversity of cultures.

This video work was conceived during a silent retreat residency near the city of Pori on the coast of Finland. In awe of the calm and crispy nature of that winter afternoon, I was suddenly confronted with an intrusive question. What happens to all the websites that nobody has viewed in years, posts that no one ever read and files that never arrived at their intended email addresses?

Memento Mori (after Jeff Koons)

Computer generated animation w/o sound, loop, duration 0:59 minutes, 2023

The Last Judgement

Computer generated animation and sound, loop, duration 2:04 minutes, 2018

ENDUSER
Triskel Christchurch
Tobin Street
Cork, Ireland

Oct 11 – Nov 7 | 2018
Nov 22 – Dec 22 | 2018


Modeled and animated based on a section of a 1505 Hieronymus Bosch triptych painting titled The Last Judgement.

Presented in ENDUSER - an evolving two-part exhibition taking place in Triskel Christchurch, Cork, Ireland over three months. This site-specific installation alludes to the mind-set we, as users, hold towards science and technology and its revolutionary potential that allows us to contest the boundaries of our collective existence traditionally demarcated by the external concept of God. This trend, however, also entails some dark aspects of how we relate to ourselves, one another, and our environment, all of which is the subject matter of the exhibited artwork.

Strawberries Advertisement

Computer generated animation and sound, loop, duration 2:04 minutes, 2018

ENDUSER
Triskel Christchurch
Tobin Street
Cork, Ireland

Oct 11 – Nov 7 | 2018
Nov 22 – Dec 22 | 2018


Modeled and animated based on a section of a 1505 Hieronymus Bosch triptych painting titled The Last Judgement.

Presented in ENDUSER - an evolving two-part exhibition taking place in Triskel Christchurch, Cork, Ireland over three months. This site-specific installation alludes to the mind-set we, as users, hold towards science and technology and its revolutionary potential that allows us to contest the boundaries of our collective existence traditionally demarcated by the external concept of God. This trend, however, also entails some dark aspects of how we relate to ourselves, one another, and our environment, all of which is the subject matter of the exhibited artwork.

Marked for Deletion

Computer generated composite animation with sound, loop, duration 3:12 minutes, 2018

ENDUSER
Triskel Christchurch
Tobin Street
Cork, Ireland

Oct 11 – Nov 7 | 2018
Nov 22 – Dec 22 | 2018


Modeled and animated based on a section of a 1505 Hieronymus Bosch triptych painting titled The Last Judgement.

Presented in ENDUSER - an evolving two-part exhibition taking place in Triskel Christchurch, Cork, Ireland over three months. This site-specific installation alludes to the mind-set we, as users, hold towards science and technology and its revolutionary potential that allows us to contest the boundaries of our collective existence traditionally demarcated by the external concept of God. This trend, however, also entails some dark aspects of how we relate to ourselves, one another, and our environment, all of which is the subject matter of the exhibited artwork.

Angular Oppressors - Chimney Well, The Void, Twin Towers, The Edge

Chimney Well - composite analog and computer animation, loop, duration 20s, 2016; The Void - composite analog and computer animation, loop, duration 35s, 2016;Twin Towers - composite analog and computer animation, loop, duration 35s, 2016;The Edge - composite analog and computer animation, loop, duration 20s, 2016

Four video loops combining analogue photography and 3D animation. This presentation accompanied the course work at the CIT CCAD graduation exhibition 2016 but was not readily on display, referring to the unconscious aspect of the human psyche. If you play multiple videos simultaneously, the audio track will produce a combined soundtrack.